Designer @ Critic Magazine & Co-founder of The Attic firstname.lastname@example.org
Very few places in the world where the guy in the back of the room (or in the back of a car going out to chick’s hotel) is someone as legendary as Mr. Gutteridge. My interactions with him were minimal but he was an incredibly nice person and I hope the people that were close to him are doing ok.
Artist: Peter Gutteridge | Track: Ocean | Album: Pure | Label: Xpressway | Year: 1989
thank you for living a sound that is beautiful and brutal. fucking sad.
I wish the third season was better than it actually was but Borgen has been such a good watch.
Listen/purchase: The Attic Singles Club 07: Anthonie Tonnon by Anthonie Tonnon
Kudos again to The Attic for making this with us. The band version of The Operation, which we played recently in Auckland, is knocking my socks off. Looking forward to Daniel from the Attic hearing that one.
From Critic magazine issue 22 for the feature ‘Social Hair’ by Lucy Hunter.
“By looking at a person’s hair you can make assumptions about their age, ethnicity, gender, occupation, political views, their taste in music, income, lifestyle, religion, health, and sexuality. All from something that makes you want to puke if you find it in your meal.From Dunedin’s extraordinary wig factory, Freedom Hair, to gendered “norms” around body hair, Lucy Hunter explores a surprising cultural phenomenon.”
From Critic magazine issue 22 for the feature ‘Scarfie Confessions’ by Max Callister-Baker. The feature recounts the night the slightly intoxicated author and his friends shared their encounters with the “supernatural”.
Collage for Critic issue 21 2014 for the feature ‘Geocaching: a diary of unrequited enterprise’ by Josie Adams.
“Children often like to draw maps and mark an X on the spot where they want to find treasure. There never seems to be any, but today there are more than 2,500 hidden treasures in Dunedin. Every day in our city these treasures are found, swapped around, and put back for you to find by a whole community of curiosity curators. They are geocachers, in operation since the early 2000s.”